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Prophetically entitled Only those who planned will survive, the piece refers to the apocalypse anticipated by all generations.

Piotr Wyrzykowski attempts to illustrate the systemic and violent policy towards European societies, using extensive media. Transporting the events of everyday life underground creates negative associations: from being forced to hide from persecutors, for example during WWII, to the enslavement of children and women by deviants or pimps. The formal aspect of the videos enhances the atmosphere of horror: the image is black and white, high-contrast; the vignette frames seem to come from an archival record created decades ago. The video is accompanied by an ambient sound that seems to emanate from the abyss.

Wyrzykowski turns our attention towards the politicization of everyday life and control. In this installation, he shows how far the system of power penetrates into personal space and determines the actions of individuals. Both the world in which we’ll have to survive and the awareness of this inevitability in the face of new threats are both oppressive.

  • Object type:
    installation (glass frames, books, LCD screens and tracing drawings, video)
  • Year:
    2009
  • Dimensions:
    -
  • inv. no.:
    MNG/NOMUS/3/D/1-5
  • Własność:
    Deposit of the City of Gdańsk, part of the Gdańsk Collection of Contemporary Art
Piotr Wyrzykowski, Przeżyją tylko Ci, którzy to zaplanowali, 2009. Depozyt Gminy Miasta Gdańska w ramach Gdańskiej Kolekcji Sztuki Współczesnej, fot. © Archiwum MNG
fot. © Archiwum MNG
  • Object type:
    installation (glass frames, books, LCD screens and tracing drawings, video)
  • Year:
    2009
  • Dimensions:
    -
  • inv. no.:
    MNG/NOMUS/3/D/1-5
  • Własność:
    Deposit of the City of Gdańsk, part of the Gdańsk Collection of Contemporary Art

Prophetically entitled Only those who planned will survive, the piece refers to the apocalypse anticipated by all generations.

Piotr Wyrzykowski attempts to illustrate the systemic and violent policy towards European societies, using extensive media. Transporting the events of everyday life underground creates negative associations: from being forced to hide from persecutors, for example during WWII, to the enslavement of children and women by deviants or pimps. The formal aspect of the videos enhances the atmosphere of horror: the image is black and white, high-contrast; the vignette frames seem to come from an archival record created decades ago. The video is accompanied by an ambient sound that seems to emanate from the abyss.

Wyrzykowski turns our attention towards the politicization of everyday life and control. In this installation, he shows how far the system of power penetrates into personal space and determines the actions of individuals. Both the world in which we’ll have to survive and the awareness of this inevitability in the face of new threats are both oppressive.

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