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The eponymous Homoiomeries is a term from Anaxagoras’ philosophy describing the ‘parts of all things’, the qualitatively indivisible elementary particles of the universe. These elements, mixed together, set in motion by the divine, gave birth to matter. Zawicki, in turn, arranges these into models and mock-ups, sculptural prototypes, and simultaneously creates compositions based on Dutch still life paintings, in order to subject the resulting forms to the illusion and reality of the canvas. Contemporary objects appear in these tangibly organic, hallucinogenic representations-visions that make it impossible to identify any leading or coherent history. Small plastic toys or fragments of everyday plastic objects will exist in this world of matter for a long time, because their time of decay is much longer than that of vegetables and fruit in the compositions of Dutch masters.

In Agata Zbylut's work, the body and convention play a leading role, and they most often appear in a duet: the conventions of representation and the exposure of bodies, the conventions of bodily beauty and aesthetics, conventional social roles of the body, everyday expectations towards the body and women’s bodies in general. Zbylut explores how the body finds itself in these conventions, how it succumbs to them and how it can effectively exceed them, or even dissipate them.

It would be hard to perceive Caviar Patriot as the artist’s self-portrait. It is a sculpture-installation created of white and red scarves of the Polish national football team, which shatters the question of women's roles, beauty canons, social norms and poses difficult questions about patriotism, the right to national colours and the changeability of understanding what Polishness means. At a time of the presidential elections, when according to some, adjectives such as ‘national’, ‘patriotic’, ‘Polish’ gave an excuse to exclude various members of the community, and according to others, government propaganda promoted ‘stadium’ patriotism, excluding the archetypes of Polishness.