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Wróblewski’s painting addresses historical memory and how it is modified in social memory. It is based on photographic documentation, i.e., a realistic record of the places where the WWII began and where Solidarity was born. In the face of the redefinitions of historical policies, the artist arranged a kind of mosaic of symbols of the Gdańsk road to freedom, — once the common values shared by the Poles — including the monument to the defenders of Westerplatte, the uniform of their commander Major Sucharski, the gate of the Gdańsk Shipyard — the cradle of the Solidarity Trade Union, or Lech Wałęsa, the leader of the anti-communist opposition and the Nobel Prize winner, carried on the shoulders of the striking workers. The work is an investigation of the processes of constructing identities.

  • Object type:
    oil on canvas
  • Year:
    2006
  • Dimensions:
    140 × 200 cm
  • inv. no.:
    MNG/NOMUS/9/D
  • Własność:
    Deposit of the City of Gdańsk, part of the Gdańsk Collection of Contemporary Art
Krzysztof Wróblewski, Stocznia i Westerplatte, 2006. Depozyt Gminy Miasta Gdańska w ramach Gdańskiej Kolekcji Sztuki Współczesnej, fot. © Archiwum MNG
fot. © Archiwum MNG
  • Object type:
    oil on canvas
  • Year:
    2006
  • Dimensions:
    140 × 200 cm
  • inv. no.:
    MNG/NOMUS/9/D
  • Własność:
    Deposit of the City of Gdańsk, part of the Gdańsk Collection of Contemporary Art

Wróblewski’s painting addresses historical memory and how it is modified in social memory. It is based on photographic documentation, i.e., a realistic record of the places where the WWII began and where Solidarity was born. In the face of the redefinitions of historical policies, the artist arranged a kind of mosaic of symbols of the Gdańsk road to freedom, — once the common values shared by the Poles — including the monument to the defenders of Westerplatte, the uniform of their commander Major Sucharski, the gate of the Gdańsk Shipyard — the cradle of the Solidarity Trade Union, or Lech Wałęsa, the leader of the anti-communist opposition and the Nobel Prize winner, carried on the shoulders of the striking workers. The work is an investigation of the processes of constructing identities.

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