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Unknown by Ala Savashevich is a monumental headless figure made of metal and felt – materials that are both raw and soft, evoking power but also corporeality and vulnerability. Created in 2021, the work recalls images of old monuments – historical figures that disappear from public space as dominant political narratives shift. The artist examines the mechanisms of collective erasure, posing the question: why does the gesture of breaking with the past so often begin with symbolic decapitation? Removing a figure’s head not only strips it of identity but also highlights the difficulty of confronting the past – unwanted, painful, suppressed. In this context, Unknown becomes a metaphor for collective amnesia and an attempt to capture the moment when history is dehumanized and memory reduced to incomplete forms.

  • Object type:
    sculpture
  • Year:
    2021
  • Dimensions:
    193 x 110 x 184 cm
  • inv. no.:
    MNG/NOMUS/80/D
  • Własność:
    Gdansk Collection of Contemporary Art, a deposit of the City of Gdansk in the collection of NOMUS – New Art Museum, Branch of the National Museum in Gdansk
  • Object type:
    sculpture
  • Year:
    2021
  • Dimensions:
    193 x 110 x 184 cm
  • inv. no.:
    MNG/NOMUS/80/D
  • Własność:
    Gdansk Collection of Contemporary Art, a deposit of the City of Gdansk in the collection of NOMUS – New Art Museum, Branch of the National Museum in Gdansk

Unknown by Ala Savashevich is a monumental headless figure made of metal and felt – materials that are both raw and soft, evoking power but also corporeality and vulnerability. Created in 2021, the work recalls images of old monuments – historical figures that disappear from public space as dominant political narratives shift. The artist examines the mechanisms of collective erasure, posing the question: why does the gesture of breaking with the past so often begin with symbolic decapitation? Removing a figure’s head not only strips it of identity but also highlights the difficulty of confronting the past – unwanted, painful, suppressed. In this context, Unknown becomes a metaphor for collective amnesia and an attempt to capture the moment when history is dehumanized and memory reduced to incomplete forms.

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