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In 2009, Kuba Bąkowski took part in a scientific expedition to Spitsbergen. He brought with him a ritual polar bear costume used in ceremonies in a village in Silesia – a relic of ancient beliefs in which the bear protected and united the community. The result of the expedition is a photograph depicting a human-bear figure holding a signal lamp, its light appearing where the North Star – hidden during the polar day – would be.

As is typical of Bąkowski’s work, the piece combines elements of photography and performance, while also treating travel as an artistic medium in a metaphorical sense. The animal-human hybrid figure, viewed through a posthumanist lens, invites reflection on alternative ways of relating between humans and non-human beings. The work balances between documentation and myth, creating a story about encountering what is other – natural, spiritual, primal – and the need to acknowledge its presence in our world.

  • Object type:
    colour photograph, light box
  • Year:
    2009
  • Dimensions:
    12 x 95 x 17 cm
  • inv. no.:
    MNG/NOMUS/67/D
  • Własność:
    Gdansk Collection of Contemporary Art, a deposit of the City of Gdansk in the collection of NOMUS – New Art Museum, Branch of the National Museum in Gdansk
Kuba Bąkowski, Polaris. Lato 2009, 2009, colour photograph, light box
Kuba Bąkowski, Polaris. Lato 2009, 2009, colour photograph, light box
  • Object type:
    colour photograph, light box
  • Year:
    2009
  • Dimensions:
    12 x 95 x 17 cm
  • inv. no.:
    MNG/NOMUS/67/D
  • Własność:
    Gdansk Collection of Contemporary Art, a deposit of the City of Gdansk in the collection of NOMUS – New Art Museum, Branch of the National Museum in Gdansk

In 2009, Kuba Bąkowski took part in a scientific expedition to Spitsbergen. He brought with him a ritual polar bear costume used in ceremonies in a village in Silesia – a relic of ancient beliefs in which the bear protected and united the community. The result of the expedition is a photograph depicting a human-bear figure holding a signal lamp, its light appearing where the North Star – hidden during the polar day – would be.

As is typical of Bąkowski’s work, the piece combines elements of photography and performance, while also treating travel as an artistic medium in a metaphorical sense. The animal-human hybrid figure, viewed through a posthumanist lens, invites reflection on alternative ways of relating between humans and non-human beings. The work balances between documentation and myth, creating a story about encountering what is other – natural, spiritual, primal – and the need to acknowledge its presence in our world.

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